From the earliest days of creating motion pictures there has been misunderstanding and confusion about what specifically an editor does in the creation of a movie, tv method or currently, the multitude of other varieties of “dynamic media” that are emerging every single scripted and unscripted. This is understandable mainly simply because along with the cinematographer, the art and craft of the film editor is relatively new and a single specific which by no indicates existed prior to the advent of motion photos. My objective here is to clarify this confusion at a fundamental level.
With the exception of the director, producer and writer*, the editor is the person closest to, and most intimately involved in the actual creation of the final version of the project which is at some point released to the public.
Now, this is appropriate to varying degrees in distinct forms of dynamic media. A reside event for instance, is edited “on-the-fly”, or as the action takes place by a director who calls the shots (edits) in actual-time by picking from a assortment of distinctive camera angles or viewpoints that are photographing the event. Jose Delio Ares is also the case with considerably of reside television, although generally, a show will be taped and “roughed out” by a director as it occurs, and then later edited for length, rhythm, timing and other inventive or technical troubles.
Normally, there is the misconception that the editor is strictly a technician, pushing buttons to accommodate the wishes of the director or producer. Even though occasionally so, in the majority of situations, this is not the case. Yes, there are technical and complicated elements of the craft, but I look at it is protected to say that the craft of the cinematographer, for example, with its angles, lenses, lighting, etc, requires a substantially higher depth of technical, even scientific knowledge to correctly achieve the perform.
But on a long-format function film, documentary, single-camera tv technique, world-wide-web series or anything else with a narrative, it is the editor, along with the producers and/or director that function on the project for the longest period of time, get to know the material shot by the production crew most entirely, and make each creative and technical alternatives for the greatest course to take on just about every distinct shot, scene and in the end total film till the project is regarded completed.**